a Comic/Song collaboration by Kiyoshi Lucky Nakazawa and CH3
click for audio track:
The Life and Times of the band Channel 3
It is Friday of a thankfully short work week.
Your lips are still chapped from 4 days of drinking only shitty American Lagers and peppermint infused whiskeys, your voice still hoarse from unnecessarily yelling greetings at people within hugging distance.
Your hair hurts.
Your lungs burn.
You find yourself alone at your desk, laughing and crying……. still.
You dog! You’ve been to Punk Rock Bowling!

The weekend starts innocently enough.
We report to our beloved Long Beach Airport on Saturday morning, fresh and clean, to marvel at the new swanky terminal!


Oh sure, it was a laugh to huddle at the porta-bars of the old double wide trailers, swilling twelve dollar Sam Adams and reassembling our outfits after the traumatic rape of the TSA….. but this place is alright!

It’s a short flight, a brief respite of calm before being plunged into the Punk Rock universe.
We brace ourselves, take a breath, and then it’s down the escalators of Sam’s Town…..and this shit is on!




We’ve kept the team alive long enough to be mercifully handicapped, but this year it’s just not enough to advance.
The crashing pins and blaring music, the shouted Hellos to people seen but once a year.
Between nips of smuggled half pints and countless lukewarm Dos Equis, we slog through a grueling tournament….




Perhaps it was too much, to bowl the tournament and then jet across town for an early Festival slot, but this a Bowling event, is it not?
Oh, I hear ya: It’s become so much more than a collection of drunken music types, huddled around the laser bar on a chilly January weekend.
It is a proper Punk Rock extravaganza now, with the audacity to take over the holiday weekend plans for a generation of people worldwide!
Hell, I would think that the majority of attendants don’t even bother to visit the steamy basement alleys of the tournament any more, but to hell with that brother!
And so we bowl on!


Miraculously, we bowl all 3 games, survive the abuse of the collected hecklers, and get across town for 5:30 downbeat, Festival Stage:

It is a balmy 99 degrees up there, and though Anthony is working on 55 minutes of REM sleep and Alf has plowed through 13 ounces of moonshine, we do alright!




And as fast as that—god love these festival thirty minute sets!-—–we are done!
It is time to haunt the backstage tents: we pay our respects to the galaxy of stars and swipe their beers and Redbulls while they are onstage…suckers!










Then it’s time for the true essence of Punk Rock Bowling.
It is time to spend the rest of the night chatting up old pals, and, most importantly, taking silly photos that will surely haunt us until next year’s batch!







And thank you, goddamn Facebook, which bursts with breathless updates for 4 days before and 6 days after this soiree.
I was there and I’m sick of seeing it–I imagine how you poor fuckers who were stuck in Ikea all Memorial weekend must feel!
The photos come dribbling in as the days pass, someone coughing up yet another photo of a band member displaying chin #3, a punker prostrate and beshat in the Plaza hallway….do your own homework people!
The club shows? The afterparties?
The crazy pool parties that left people coughing up chlorine and urine for days?
Didn’t make ’em.
No, PR Bowling has became, in a word, vast.
There is surely no way to see it all, Thank God!
For even our little slice has left nerves shattered and mortgages teetering on default, and we experience but a slice of the madness.
We arrive home, shell-shocked and sore, and close the blinds tight———–enough.
But finally, after hydrating for the past week and avoiding all incoming calls from strange area codes, you allow yourself a breath.
You dare to finally scroll through the photos clogging that smartphone, and as you see the silly grin on a chum from your past, you allow a smile at the memory.
And, hell, maybe a chance that you might just do it again next year.

Think you’re escaping and run into yourself.
Longest way round is the shortest way home.
-James Joyce
We walk into our beloved James Joyce in Santa Barbara, all cool shadows and the mildewed funk of spilled beer, first stop on our way North.
The fellas are in a quiet mood after a heated discussion that has lasted from the outskirts of Agoura Hills to Carpinteria.
The subject, as usual, is favorite Superheroes: Alfie stubbornly defending Batman’s crown against all of our poseurs in tights.
Ironman? Dark Man? Fuckin Rorschach?
Meh…..Alf shoots down all of our uninformed suggestions until Anthony chimes in with Meteor Man, and eventually, whoa! Dolemite!

Alf is beside himself, sputtering out the rules of superhero qualifications.
Ant is pretty happy with his nomination though, and off we go into a whole other tangent that finally lands on Dee vs Shirley in the battle of Sassy Sisters by the time we break for our lunch of five dollar Imperial Pints and free peanuts.
It’s a lazy Tuesday afternoon as we meander up the coast toward SLO Brewing and a midweek gig with those gents in white, The Adicts.
We are immediately set to work pulling tables and chairs out of the club, but it feels good to stretch the old legs after the drive.
That’s what we keep telling ourselves, anyway…

Besides, we’re early and have nothing much else to do but watch Pete command sound check and try to come up with a plan to swipe the Dude off the wall:
The food and ambience upstairs in the brewery is wonderful though, and it’s swell to kill that peaceful time between soundcheck and downbeat amongst pals.
A table of mature Brit punkers behind us and pre season baseball on the flat screens, we descend upon decent bar grub as the sun sets on the heartland.
After a burning set by mid coast locals Infirmities, we do our thing.

The crowd is young yet merciful, we do alright.
Apparently we’ve never played in this town before? Oh, they’ll learn..!
And then the Adicts go up there and kill it as usual in a flurry of beachballs and confetti.
After the gig, we load out through the ankle deep flotsam, the dance floor looking like goddamn Rip Taylor just spontaneously combusted.
We adjourn into the night and wander a few blocks of this collegiate playground, first stop the famed alley of discarded gum!

Apparently the kids like their watering holes cranking repetitive techno @ 130db and strobe lights flashing, the better to enhance the fake ecstasy they just dropped a sucker’s twenty bucks on…whatever.
We settle into a quiet corner of McCarthy’s with pals to grumble about the goddamn kids these days and bitch about prescription prices.
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It is a common experience that a problem difficult at night is resolved in the morning after the committee of sleep has worked on it.
-John Steinbeck
Amen, brother!
Unfortunately, the committee was on recess: a fitful night of sleep.
You see, it has become the CH3 tradition to brush teeth, get into jammies and down a couple Tylenol PMs while the other nuts are still unloading the van.
It is a race to sleep, a desperate attempt to lose consciousness and start snoring with abandon before your roomates get the chance to beat you to it.
Last man is fucked, left wide awake and staring at the ceiling amidst the apneatic roars that shudder the walls.
Between the suspect sheets we lay upon and the syncopated snores of my rack mates, I calculate a total of 55 minutes REM sleep in the bank as we set off North once again.
The day is jolly, though, and we are soon winding our way through green valleys toward lunch in Salinas.
A journey is like marriage. The certain way to be wrong is to think you control it.
-John Steinbeck
We inevitably stop in Salinas for a late lunch, and continuing our brewpub theme are drawn to Monterey Coast Brewing and tuck into unnecessarily hearty tri tip sandwiches.

We stroll down the street, burping and picking gristle out of incisors til we come to the National Steinbeck Center, of all things!
Someone has put one of those art installation pianos out front, and I take a seat and jauntily run through a few G major scales on the ‘ol horseteeth.
A small lunchtime crowd soon gathers around, and I play my go-to piano ballad, Peaches’ Fuck Away the Pain:

We have been asked to leave.
But soon enough we’re stuck in the middle of Bay area commuter traffic, crawling along in the shadows of the Mission District, its Carne Asada and Modelos frustratingly just out of reach!
Home for the night is the funky Phoenix Hotel, located right at the intersection of the Tenderloin and tonight’s crime scene–we like!
They openly advertise themselves as a rocker-friendly hotel, which is cool, I guess.
But we find out what rocker-friendly really means at at check-in, when we have to sign waiver after waiver promising to stay out of the pool after midnight, no shitting in the bushes, no barfing in the ice machine, ….etc!
Sheesh—-raise your hand if you think they’re regular readers of this blog!

Over to Slim’s for the gig and yes, Mr Smartass, there are actual photos of us onstage to prove we brought along the instruments!
Thanks once again to our pal Alan Snodgrass for snapping the night!
And then, we are done with our chores for the night.
Tell me, is it wrong-really?- that our favorite part of the night is not those 35 minutes huffing and puffing away onstage, but rather the golden hour of hilarity by the bar, catching up with our No Ca chums?!
So sue us!

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It seemed like a matter of minutes when we began rolling in the foothills before Oakland and suddenly reached a height and saw stretched out ahead of us the fabulous white city of San Francisco on her eleven mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, and smoke and goldenness in the late afternoon of time.
― Jack Kerouac
You know us.
We can’t get up and just…, go, after all.
And so we make our rounds of the town, tourist traps and dives, what the hell–

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Southern California, where the American Dream came too true.
-Lawrence Ferlinghetti
We are delirious, laughing the day away and asking ourselves why we don’t live in a goddamn proper city?
But this town has odd powers over us, this we know.
So before the delicious night can wrap her slinky arms around us and keep us another night, we are back in the van and hurtling South.
Soon it is dark and the hypnotic ribbon of 5 freeway carries us toward home.
I look out the window and consider the night sky, the odd cow standing on hill, the shuttered rest area oozing with the promise of sexual perversities.
How many times have we made this goddamn trip, up and down the rippled backbone of this state?
We load down our jitney and make our way North, not in the desperate hope of finding crops to pick or the Beat inspiration hidden in the deep fog of the Bay, no.
We go up, and come back down, because that’s what you do, I suppose.
We come to visit old friends.
We play the set for a crowd that has just forgotten the stale jokes and old songs, so we can roll them all out again.
We keep moving, not for the promotion of a band but as guard against the terror: lack of momentum.
Lest we fall to the ocean floor, dead, sharks that have lost the will to keep swimming.
In the dark of the van, iPods drained and radio signal lost on the grapevine, it is quiet.
We’re burnt and not looking forward to work tomorrow, it has been a weekday jaunt afterall.
The silence is finally broken when Anthony speaks up:
“But Batman, ya know–he really doesn’t have any powers, right? Does he?
I mean, he’s just a rich guy that buys a lot of stuff when you think about it…?”
And then I hear Alf sigh and sit up straight, ready to school us again, and we’ll be back home in no time.
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To do a dull thing with style-now that’s what I call art.
Charles Bukowski
Ah parenthood.
Is there a more defining moment in the Father/Daughter cultural exchange than when you sit upon couch next to the kid and she starts watching her favorite show….

Alright, alright–we get it—the lead chick is big and beautiful, proud of her body and all that.
But still, would it kill her to put a shirt on when I’m trying to eat my Pasta Puttanesca on a Sunday evening, hmmm?
Listen, if this wistful peek into the world of young woman in the city is based mainly on Lena Dunham stomping around the apartment naked and cussing like a neutered GG Allin, so be it.
Just don’t expect Dad to sit there and listen to this crap—-I’m going upstairs with my Huell Howser dvds yo!
You try to raise your children right.
The rule was: For every track she would download off Itunes I got to choose one for her as well.
And her ipod was soon filled not only with Miley and Demi Lavato, but also Cramps and Rezillo tracks….it takes a village!
But soon enough, when they go off into the brutal wilderness of High School and beyond, they are attacked on all sides by terrible, terrible influence.
Forget the bullying and drug abuse, I’d like to know who’s suggesting they all get tickets for the goddamn 311 concert huh?!

I thought it was a bunch of Rastas straight outta Kinsgton!
And then comes the sterile little Itunes receipt in your inbox, and the following texts (our preferred method of communication these days-much easier to ignore teenage sarcasm through Helvetian-font alphabetical character ) look something like this:
Dad: ??
Kid: yeah popop..?
Dad: Um, this bill I have here..wish to explain?
Kid: U said I could buy a whole album!
Dad: Yes, but..Sublime? really? Do you know how old that goddamn album is?
Kid: LOL
Dad: And am I hallucinating here, or is there a Blink 182 song on my account?
Kid: Their so good!
Dad: THEY’RE……and yuck.
I can almost hear her eyes rolling across cellular connection…..all is lost.
So it was quite the shocker when I received this text last week:
Kid: Hey da–that song True West? IS that U? I like it-
Dad: who is this?
Her: LOL–is that you? it’s good–it dzznt sound like you!
Me: Gee-thanks…?
But it sends me to the internet, and sure enough there it is on YouTube, where more than one wag has seen fit to somehow digitize this song and post it up for the world to hear:
We reported to Mad Dog studios in Venice, oh, let’s call it late winter 1984?
Having been left adrift for a season since fulfilling our Posh Boy contract and letting our glorious hair grow out beyond the approved hardcore standards, we’d come to an agreement with scrappy Enigma Records to lay down some magic.
Around this time, there were a lot of burnt out punkers out there in the wilds of Southern California.
Jaded veterans of the music biz at the age of 23, wandering the burnt out club scene for a spark of the past like post apocalyptic Zombies fighting over the last gray fragment of brain.
And Enigma was right there, with open arms, allowing us all to commit to vinyl and film the embarrassments that would haunt us ad infinitum.
The what? Internet ya say? Never heard of it–hah!

A good crew, we now had Jay Lansford in the band full time, easing us into a world where the guitars were not always distorted and pegged, where the lyrics were not always screamed…..and the hair looked fabulous!
Banging on the drums around this time was wildman Mat Young, who besides having such awesome Pokemon’ styled locks was one of the greatest drummers ever.

On tour Mat’s good looks kept the girls close, just wanting to cuddle him and take him home to give him a hot bath…..
And when Mat would inevitably run away due to his shyness and a girlfriend back home, well, I guess old Uncle Kimm was right there to pick up the pieces, eh ladies?!
At the helm in studio was rock solid Dusty Wakeman at the knobs and the nutty man about town, Ron Goudie acting as producer.

And so in just a few nights we lay down those tracks that would eventually become the Airborne EP—-unanimously agreed upon as our declaration of mutiny aboard the sinking S.S. Hardcore!
But I sit there, and give it my first listen in a decade I guess.
The drums swing, Mat actually playing a song on those skins.
Some different things going on, now, in terms of guitar as a condiment instead of a porterhouse.
Some jangly accents, and empty spaces where the song is allowed to breathe– this was new stuff to us!
I have to type out the lyrics, reloading the track over and over, as I can’t find any trace of them: Any copies of the ep with lyric sheet intact have been sacrificed to attic or Ebay long ago.
And though I cringe a bit as I dictate the over-earnest lyrics, thematically cliché’ as they come, I can somehow forgive my 23 year old self for being focused enough to jot down an idea that somehow fits the music:
True West (Lansford,Magrann)
I never took a dime, My eyes were clear and blue
Wanted nothing more, Than Love and God and Truth
You wait for dreams, you work toward goals
I’ll pay with youth, I’ll sell my soul
Followed setting suns, Knew my wrongs from rights
Funny how it all Turns dark as country night
I never knew what morals were
Until I realized I had none
True West…
They never tell the truth about frontiers
Another dream is tossed to the Sea
Had my fill of lies. And California dreams
Ain’t that how life works-It’s never what it seems
From airline windows
Oceans glow blue and green, you know…
From the beach they’re dark as sin
True West, I’m standing on the coast again
True West, I’ll never be the same again
They never tell the truth about frontiers
Another dream is tossed to the Sea
I like it!
And who knows, as we climb on the stage next, armed with our setlist of 30 year old songs and stale stage banter, we might just surprise ya.
And in between playing Manzanar and Got a Gun for the twelve thousandth time, we may just turn the guitars down 2 notches, and give it a whirl….
Dad: Yeah, that’s us—cool
Kid: I thought you guys were punk..?
Dad: ARE PUNK…
Kid: But it’s not fast like wot you play…?
Dad: ….sigh.
The band is done with their first encore and Joey takes a step back to drink some beer and wipe some sweat–
Here’s my chance, I’m thinking. Time to go up there and rouse the crowd.
Get one more song out of em, let them know how we really feel about the mighty goddamn D.O.A. !!
I’m thinking I’ll quote a little Rimbaud, something about golden chains across the stars, maybe tell these yokels how, yeah, we might’ve lost Ramone and Strummer, but we’re left with one good true Joe: Shithead!
And then Joey will tear up, of course, and we’ll say our goodbyes right there on stage , 2 big lugs hugging it up, all sweaty brows and Newcastle-soaked shirts.
It’s the Valley on a Superbowl Sunday night, of all things, and we’re a tad burnt from the night before:
A quick jaunt down to the Brick in San Diego to meet up with D.O.A. with all good intentions of keeping things easy.
You know, catch up with Joe and get the lowdown on this farewell business, maybe a few sane cocktails before our warmup set, catch the band and be in our motel beds in time for SNL—har!
It turns into a beer dripping night down South, of course, a hazy thing recalled through bizarre images: Wolf head shirts and double guitars hung around necks ala Rick Nielsen.

We got there early for soundcheck (….theirs, not us ya silly goose-we obviously have not soundchecked since 1984!) and load in: rainy Saturday evening.
Have’t seen Joe and the fellas for a year or so, and it’s good to catch up for a few ticks in the quiet of the club before the nights’ inherent shenanigans unfold.
Joey explained that he was taking an indefinite break from the band, there was a chance now for some real action, something about a real shot at getting a spot on the Legislative Assembly with the BC New Dems…..
(Hell, I don’t know— what am I, goddamn Mike Wallace? Check Andy Nystrom’s awesome blog for details on Joe’s political plans)
I hint that perhaps this might not really be the end of the line, hmmmm?, but when he tells me of the recent sale of the rugged War Wagon tour van (mileage, a conservative 800k!), I know he is sincere about his new political chores before him–best of luck man!
If any of you have the means to go vote for the man, I’d say by all means, do it!
We’ve known a lot of characters in our time out there, and one constant of swinging back through town every couple years is change.
Seems like every straight edged vegan who was running the Anarchist Food Co-op last time through is now a junkie with mascara and surviving on AmPm hotdogs….
But Joe has always stood behind the talk, God Love him, and shamed us in a good way to recycle those beer cans, pick up that goddamn cigarette butt, and hey! maybe eat a salad now and then, huh?
We’re gonna miss him out on there!
We’ve crossed paths so many times, and it’s always been our very real pleasure to play with the men of DOA:
Different incarnations, rowdy gigs with Chuck Biscuits and Dave Gregg in the band, Dimwit on bass, Dimwit on drums.
The band as a 4 piece of 3, it didn’t matter as long as Joe was up there, legs wide, eyes straight ahead, singing the truth!

A blizzardy New Year’s Eve, 1982, and we’ve gathered in NYC for a big Punk a Rama gig at Irving Plaza.
We scored an opening slot on a bill with Misfits, The Big Boys, D.O.A., last minute to salvage a cancelled UK tour with Blitz.
We play a shaky set on borrowed gear, still rattled by the red eye flight and the incessant taunting from Doug Holland.
And then the sound is cut and the lights come up: Nobody’s getting paid, apparently!
The turnout is bad and the promoter has left the building.
The bands are all grumpy: Biscuit is counting heads of those who paid, Danzig and Doyle looking around like they’re sizing up various bar utensils to use as weapons.
We all complain about the weather.
But in come the DOA boys, all flannels and Sorels, looking like lumberjacks who just enjoyed a game of street hockey on the black ice of 15th Street: They did.
And then we all adjourn to A7 for some late night drinks, Joe telling us jolly tales of just driving 2000 wintry miles, avoiding horny moose all the way, for this abandoned gig.
But what ya gonna do?
Joe gets up from the bar and sizes up the tiny stage, and soon they’re setting up for a late night set, the New Year salvaged.
We get to the club late, having spent the day on the couch alternately snoozing and rousing to see the 49er’s blow the big one through inane coaching.
It’s out to the Valley for our last gig with the mighty DOA. It’s bittersweet to be having a last visit backstage and we really don’t feel like drinking again…but, oh, we do!
And then those fearsome Canucks climb the stage one more time, Joe counts it off, and on downbeat, a beer goes sailing through the air and baptizes the crowd for a last visit with the man!
It’s a loud sweaty set, people singing along with the songs and shouting out requests:
Fucked Up Ronnie! The Prisoner! …..War!
Kids are slipping around in the pit, falling on their asses for all the lager that has been sloshed out of the pitchers held aloft in cheer.
It’s a fitting sendoff, just another Sunday night for a band that has traveled a million miles, one last trick: to make a blah Sunday night into something fine, communal and rousing, a night of smiles and hugs.
It’s time for my farewell toast to the band, and as Joe turns his back to tune up I jump up on the stage.
But when I stumble to the microphone, the Bushmills we’ve been nipping on all night kicks in, and my eloquent goodbye turns out to be:
“Blah! Fuck! Come on!!- WOOOO!”
There are immediate beer cups flying at my head and the chant Get off the stage Jethro!, but I am not to be denied.
Our long road with these gentlemen has apparently come to an end.
And so I can only spread my arms wide, as if to encompass the whole fuckin’ thing that we’ve all been through and shout out, “Don’t you understand? It’s D.O.A.!!”
Many thanks to Peteholmesphotography.com and BigWheelMedia for the awesome live shots!
It’s a Wednesday night, well after closing time.
Not that closing time, as a concept, means anything to us.
Every drunk in the van is under 21, most under 18.
A quiet night, no gigs and no parties, just good honest underage drinking of malt liquors and driving the endless tracts of Artesia Boulevard to Bloomfield to South St and back:
The Cerritos loop.
So we’re sitting there, bored, Naugles parking lot.
Me and Kimm, Chris and Paul maybe, Larry and Rich, some of the DC boys…. hell—I don’t know.
Any Summer night is interchangeable and unique.
Nights of aimless driving and drinking, talking and listening to cassette after stretched
C-90 cassette on a stolen Blaupunkt.
The mixtape comes to an end, cutting off 999‘s The Boy Can’t Make it with Girls
mid-chorus.
There is that organic pause, then the mechanical snick of the tape head flipping and side B starts: Middle Class, Out of Vogue!
Even in 1981 it is an oldie.
One of the rare first ones, brought back into the fold after one of Kimm’s reconnaissance missions downtown LB to Zed Records.
Kimm would unveil the latest finds around the drinking table, stacks of alien vinyl that we would pore over, front and back, sleeves and labels, before resting on the tunrtable and letting blast.
Suburban Lawns’ Janitor, The Weasels‘ Beat Her with a Rake……The Normal and Warm Leatherette!
These early punk songs were all startling listens within context, wildly different from the polished shit coming at us from KMET.
But those songs held onto that nouveau artrock aesthetic, somehow, songs showing a winking intellect above the rawness of the take:
Yeah, I know it sounds like shit to you, but this is art, no?
You cannot possibly understand what we are trying to say here, dummy!
Not the case with Middle Class, no.
This was straight ahead business, no time for phony poses:
The frantic pace, the militaristic cadence of the vocals over the gallop of bass and drum, these blueprints have served us-all-since the needle first dropped, and the pause button released on tapedeck to let spin the tiny reels of Memorex.
We stole a dozen ideas from that blast of an EP.
And now, in the dead of night in the lot of a dearly departed fast food joint, the song makes for the perfect soundtrack for the action:
Doug comes tumbling into the van, rubbing hands together and cackling.
“Go, go—fuckin punch it!”
I start the Blue and White without thought, so used have I become with these sudden get aways from stupid mischief.
“Skanker,” yells Chris–“what about Duane?”
Under those August fluorescents, Duane falls out of the double doors clutching a bathroom sink.
His Sex Pistols homo-cowboy shirt is stained with fresh blood, as is the porcelain hunk in his mitts.
Apparently Skanky had a little trouble yanking the sink off the wall and blood has been shed.
He is crying with laughter as he almost gets his prize to the van, but the sink is slick with blood and the plumbing goes crash to the ground.
Shards split across the parking lot, diamonds against asphalt, and the sink splits in two separate halves with a final clank as Home is Where comes on next.
Another good one, all throbbing bass line and syncopated riff, the guitar sound honest still.
Duane does the only logical thing left.
He takes the bigger of the chunks, looks back at us and gives us the gap tooth grin we’ve come to know as the green flag of mayhem.
He holds it aloft for just a moment before letting it sail through the glass doorway:
Here’s your goddamn sink back–happy?
The night is full now, blood and breaking glass and people yelling, confusion and chaos over the charging music……and are we being chased?
Wild noise in the night!—-it was all we wanted, really.
I can do nothing more than put the Chevrolet in gear and turn the stereo full blast.

The destructive nature of punk rock?
Is that what yer saying?
Hell, everyone’s got a million stories like that, all over the place.
Punkers of a certain age were free in the night, untethered by cellular device and social network, free to write the story as it went along.
But God bless us, if nothing else we all seemed to grow up and learned, yeah, you got it brother–No Man is an Island!
And we found out that there was value in this music and in these shows.
And regardless of a hundred asshole promoters that ripped us off in the past because they had no respect for what we were doing, we’d come to a place where we could come together for something good.
We’re honored to be part of this fundraiser, but mostly just proud of this funny little tribe.
Because maybe by helping each other we’re just helping ourselves.
And we can somehow soothe the scars on our arms and patch the holes in the walls, souvenirs of the songs that said what we couldn’t possibly say.
It’s a nice way to kick off the year, nice and easy:
Playing the local shed on a Friday night, the bill packed with chums.
But it’s freaking cold out!

Yes, we are talking about the weather, what do ya expect?
We’re old folk now, and the major topics of conversation around here are weather, sensible footwear and good local deals on vitamins…

Oh, you smug Mid-westerners and East Coasters laugh at our frail tolerance to the chill…fuck ya’ll—I’m talking into the 40’s out there!!
Listen, it’s all relative, am I right?
So we aren’t used to seeing our dialogue telegraphed in puffs of white fog.
And just the odd millimeter of frost on the morning windshield is enough to launch a thousand breathless Facebook updates.
But do we giggle at your antics, hmm, when the 2.1 temblor hits the Eastern Seaboard and sends ya’ll scurrying underneath the door sill?
Do we laugh at yer awkward erections when the girls bare three inches of ankle come Summer time?
Yeah. Yer right.
We do.
It was only a few weeks back we played the Observatory, but when we heard old chums Lower Class Brats were coming through town we begged for a slot.
Besides, with our pal Ronnie now manning the bass duties, we had to take advantage of the opportunity to heckle him from side stage–finally!
It’s nice, the subtle renovations of the joint, as the old Galaxy was looking a little worn those last few times.
Just a bit of tweaking to the sound system, a new space in the lobby and a drink station front of club, and the place is feeling fresh again.
Our favorite though, has to be the bar and lounge upstairs, relatively empty as the groms haven’t figured out how to get up there yet!

We are billed third out of five…..and we like!
Oh, in the old days bands would fight over who gets to play last…..eh-kids!
We are getting used to this middle spot, quite befitting for us older statesmen.
On a regular Friday we’d already be in Pajamas and waiting for the milk to warm at this ungodly hour of 10pm, having already done three pushups and composed an angry letter to those wiseacres at Levi’s:
Dear Sirs:
In what way are these jeans actually a relaxed fit?
Perhaps you need a brief lesson on the mature male anatomy–
I bid you good day!
Killer sets by The Scarred and Media Blitz:
……. and then we are pushed onto the stage once again!
It is a young crowd tonight, but they seem to put up with us ok.
They don’t know any of our songs, but they’ve been taught not to sass their elders.
Besides, they’ve seen the goddamn stickers and patches around long enough….we must be someone!

The Brats come on and kill: the crowd going nuts, Bones has ’em in his pocket!
And then it’s time for Cheap Sex to whip the crowd in a frenzy.
We watch the wild pit from the cozy balcony, Jameson in hand, like blowzy chaperons at a Catholic school mixer.
The band features the second tallest man in punk rock…. well, first if it’s late in the evening and Uncle Mike is feeling a little slumpy–ya got me?

And then it’s backstage to greet old pals and say our Happy New Years.

We head out to the night, happy to kick off another year right.
Good to catch up with pals and crank the amps once again.
They roll open the bay doors and we head out, Anvil cases in hand.
And ya know what? It’s not that cold at all….!
Once again, many thanks to Sals Photos for the awesome pix!
It’s always one of those late November afternoons-those nasty gray days-that I’m up in the attic, searching for those goddamn holiday decorations.
Bloated from the gluttony of a long Thanksgiving weekend, reeling from far too many birthday toasts launched and sank, I inevitably find myself dizzy and set back on my haunches in that dusty crawlspace clutching a hopelessly tangled ball of Christmas lights:
a Medusa’s head tipped in green and red.
Along with the lights, hastily ripped down and thrown in a garbage bag at the start of this year, I find a short note I wrote at the bottom of the bag.
It is a note that starts out as simple instructions for putting the lights up again (start with female end-duh!– on northwest awning. Don’t use the extension ladder, you’ll kill yourself!) —but the scrawl soon turns introspective, a letter to my future self.
I write these notes on a morning just after the new year, time to pack away the holidays and get on with the business at hand.
These little messages tend to be as much a plea for moderation-Let’s keep away from the Jager this season-remember the Christmas party and the duck pond, hmm? – as a wishlist of sorts for the coming year.
The gentle admonishments soon turn to snarky commentary:
Yer not still working at that hellhole I hope? Sheesh, this year was a bitch!
….and howsabout laying off the pasta tubby?!
And that band, ya still playing gramps?
And then the note ends, as always, with an order to get those lights up and adjourn to K.C. Branigan’s for four Imperial pints and a fatty corned beef sandwich: Mercy at the last.
Heh.
And so goes another year past with your old pals.
So before we rip down the tinsel and get ready for Lent, let’s look back at the thing we shall know as 2012:

The year started off slow and easy, a couple local gigs and then the gala OC Music Awards.
Finally! –they’re gonna reward our genius, is that what yer saying?
Sadly, no, but they saw fit to recognize our dear friend Rodney Bingenheimer with a deserved award, and we were lucky enough to play a song in his honor.
A one song set and free beer & sausages backstage?
Known in the busness as a win-win!
The vernal equinox comes and goes, and we are surrounded by dozens of raw eggs standing on tiptoe as Record Store day arrives in Seal Beach!
It’s at the dear departed Left of the Dial that we set up shop, and although they no longer grace our sterile community they have found new, far more hospitable digs at the Santana location–go see em, ya nuts!

Record stores became a recurring theme to our year, and we are now veterans at playing to disinterested bums under fluorescent lighting and sneaking booze around in Gatorade bottles.
Many thanks to our pals at TKO Rcords in the Valley of Fountain, as well as Fingerprints in the LB!
Speaking of records, guess what? We made one!
Yeah, I know by now you are sick of seeing our shameless self promotion,
proud as a newly toilet-trained toddler stumbling through the cocktail party with a freshly birthed poo in the bucket….. but c’mon!
We don’t do this often, let us have our fun!
Many thanks to scrappy Hostage Records for working with us on the new release, and putting up with our outrageous demands for fresh cut lillies in the studio each day as well as a nacho cheese fountain for Alf…!
The touring was easy, simple 4 or 5 nighters that left nerves shattered by their concentrated intensity.
Texas, Louisiana, Washington, Oregon, British Columbia, etc– these are the places that put up with our hijinks for the agreed upon hours, and then rightfully kicked our ass across border, someone else’s problem now.
Good times…!
Weekend of the year award, though, must go to a nutty little jaunt we took midsummer up to the wilds of Winnipeg.
Long had it been sice we visited that hearty outpost, and our return found the place to be in fine spirits indeed!
Great to catch up with Mark Stretcher and Matt the groupie, and although we had to help them up the stairs a few times and cut their food for them, they seemed to be holding up fine….. for gentlemen of that age!
Our tour of the finer Injun drinking establishments made for a busy weekend, let me tell ya!
Alright then, let’s crunch some numbers, shall we?
In terms of the ol blog that lights up the smudgy ipad yer holding in your grimy paws at the moment, we had a wacky 21 thousand visitors to the page.
And –again!- not one of you could be bothered with clicking through and buying a shirt or even a sticker for Mom’s minivan—c’mon now!
The most poplular entry for the year was our in depth look at the religion of of Ramen, again showing that the CH3 audience is ironic or cheap, probably both when it comes down to their food porn.
In other statistics, we played a measly 27 shows for the year, traveled 12 thousand miles, drank 510 gallons of shitty domestic pilsner and ate the sodium and fat equivalent of half a herd of wild swine.
Whew!
And now we stand at the edge of a new year, a year full of hope and promise.
Fresh as a clean PeeChee in September, graffiti-ed not yet by the scribbled diagram of peni nor mammary that will surely befoul it by graduation day.
It’s time to drag that pine needled cactus out to curb and unplug the lights.
And this year, we’ll take down the decorations with care and package them gently as a favor to our older, wiser selves of December 2013.
…..nah, fuck that, lets get this shit down and hit the bar, got me?
And when we jot down our note to be thrown in with the lights, thoughts and hopes to be sealed away in that dark triangle upstairs for another 4 seasons, we’ll write a hopeful p.s. at the bottom:
–and that band — Ya still doing it or did ya finally grow up?
“…now, this next one,” I tell what’s left of the crowd, maybe a dozen drunks left in the place,
“……this next one, I don’t know–Kimm, do we have anything left?”
Kimm shrugs and turns his attention back to his 24 ouncer of Pabst, as if there is a magic set list in its wheaty goodness.
There’s really no need to talk through the microphone at this point anyway, not really.
All through the last unrequested encore–our third–people have filed past us and out the door, sheepishly waving goodbye, some pointing at imaginary wristwatches with a guilty shrug, some holding thumb and pinky to ear and mouth: I’ll call you tomorrow.
Anthony takes off his bass and leaves the band stand, and heads to the pisser without a word.
“Do we have anyone here that would like to play the bass? While Anthony is taking a shit? Anyone?”
Alf yells out 1-2-3-faw!, we roll nto a bass-less Blitzkrieg Bop, and this will make twice we’ve played the song for the night.
Assorted drunks take turns at the mic. Nobody knows the words.
The bartender rolls her eyes and gives us the old finger across the throat sign, same as she’s done the last 4 songs: Cut it!
We’re going on hour 2 of the set, have played all our own rehearsed songs, and have already massacred:
Police on my Back
Can’t Hardly Wait
Blister in the Sun
GooGoo Muck
California
WIld Thing
Louie Louie
Wild Louie!
Heh…and the evening started off with such promise….!

Ah, it is a Holiday crowd that rolls early into the Hut, and we meet up with pals in a festive mood!
There is a tinge of the melancholy, as we are saying goodbye to the Doll Hut for the last time, but nothing a hefty 24 oz of cheap beer won’t fix, yeah?

Anthony has brought his new band to play on this night, and they play with terrifying force.
Jesus Christ!
Punk rocking old school, the tempos make us dizzy…. and thirsty!


Afterwards we hug Anthony, ask him if everything is alright.
What are you kids so angry about, hmmm?
Anyway, go see them when they play, they’re called Snooki or Scoleosis, something like that……!
The bands are all sharing backline tonight, so the changeovers are quick.
Just enough time to wade into the soggy crowd and say a million hellos and how do ya do’s!

I’m telling you, it’s a grand evening.
Giant cans of Pabst, the coin of the realm on this night, appear in everyone’s paws.
There is hardly time to consider the strange symbolism of so many flag-colored phallic symbols thrust into so many open maws before our old pals The Stitches do the thing:

The fellas are rockin’, and when Lohrman jumps up and prowls atop the Hut bar for the last time I can only swear at him for pulling such a great move before anyone else got the chance….
There’s still plenty of night left, so what say we go visit those legendary bathrooms one last time, yes?
Yes!

The crew is tuned and ready when legends The Crowd take to the stage.
As usual, Decker shows up onstage dressed for action, lookin like he’s ready to brave a punk riot or a nasty Nor’easter off the starboard bow!

And then it’s our turn.
We start off well enough.
We play the songs we’ve been playing, marvel at the times we’ve had on this creaky platform.
But we wrap up all the usual songs- and then some!–and we just don’t feel finished.
Not with this joint, not yet anyway.
We plug back in and run through a few more numbers, and as the crowd gets inevitably smaller, we laugh a bit longer, sharing the same lame inside jokes, and order up another round to the bandstand.
And then come the cover songs and the guest musicians.
We try to hang guitars around the necks of innocent people trying to escape, insist they play Strutter and Living after Midnight for our own twisted entertainment!
It has become a drunken mess, a sloppy jam session that would make the 8th graders in the garage next door embarassed.
And we’re having a blast!
On that tiny little stage in that tiny little club, we’re reconnected with those kids that first picked up those guitars and navigated the A to the D to the E, and wondered at the timeless magic of making three simple chords into a Ramones song!
And that’s why we don’t want to stop.
We don’t want to say goodbye.
We’ve been reminded of this rare favor, of a place that let you play music in front of your friends.
We try to start another song, it’s either Jet Boy Jet Girl or He’s a Whore maybe, each of us playing a different note, and we spit out our beers with laughter as the last of the people exit the club, leaving only the four of us on stage.
They cut the PA and turn on the overheads, and our career at the World Famous Doll Hut has come, mercifully, to an end.
Extra awesome photos by Sal’s Photos!
You remember, don’t ya, that first time you walked into the Doll Hut?
You went through the creaky front door, and your eyes slowly adjusted to the dim light provided by the beer signs and that goddamn jukebox that seemed to only play Social D or the Misfits.
The worn bar to your front, stage area to the right, and as you walked around back past the flooded bathrooms and the skid-stained pooltable, only to end up at your starting point, you had that first same reaction everyone has: Is that it?

Yeah, approximately the size of one of the backstage rooms at the House of Blues,
the Doll Hut is charming in its wee footprint, especially when considering the bands that have graced that tiny stage:
Back in the day, when Linda Jemison was the unofficial fairy godmother to OC live music, the club became much more than just another OC shed.
The stuff of legend, expecially when the OC roots rock thang was really going strong and that Punk Rock Revival was gearing up for its inevitable payday.
It was a must-do, of course, for any self respecting OC band to play a couple times a year at the Hut, even when the evil Disney Empire down the way almost shut the joint down for good with that wacky road construction!
What the fuck was that all about?
It seemed like a couple years when there was no way to get there from here!
The 5 freeway was a goddamned mess as they scrambled to put up a monolithic parking structure.
And they scacrificed our dear old Disney parking lot, home of a thousand shotgunned beers and hotboxed joints of mersh…. for what? California Adventure?!
And ya call that progress?
But, yeah, ya still booked the gigs there and out of towners did too….
It was always the best to see the touring bands take their first peep inside the door, only to back up, look around as if to make sure they were in the correct joint.
This is the place Offsring started off?
And No Doubt?
Where did Gwen put on her makeup?!
Heh—damn right bub.
In fact, it was Linda’s annual Christmas benefits for the Orangewood Children’s Center that kept CH3 alive during those lean years in the mid nineties.
Burnt out from the riots and music business bullshit, we were grumpy old burnouts at age 30.
But we could always rouse ourselves when Linda called for the Christmas gig: the Hut provided the band a trickling life support system, pulse measured in faint beeps and seismic peaks, blood to the heart and oxygen to the brain.

Back then, we would start rehearsing for the Christmas gig, oh, somewhere just before Halloween—-heh, God, what happened to that dedication and energy, huh?
Nowdays yer lucky if we listen to the Skinhead Years cd on the way to the gig to refresh our battered memories.
We are seriously just this far away from using teleprompters like Frankie did in the final years……
Ah, but what fun it was, to dust off the setlist, and celebrate the Season at the Doll Hut.
To rage within that jaunty roadhouse, the soggy floorboards and dusty uprights shaking with the music, the whole joint rocking and leaking like that other historic OC hovel, the Haunted Shack at Knott’s.

There’s nothing like a night at the Doll Hut, especially if you have to play a set that night.
Setting up and breaking down, negotiating the chatty drunks and the heavy gear going always! in the opposite direction.
It was like moving furniture on a storm swept tugboat, but you finally got everything in place and counted off the downbeat.
Your face mere inches from the crowd, guitars knocked out of tune every other song.
The constant mist of beer and spit from the drunks that yelled the lyrics right back at you.
God, we’re gonna miss this joint!
For now they tell us that the Hut will be no more after the start of the year?
Plans have been made to rebrand, something about a Latino theme and traditional music…which is alright I guess.
But as often is the case whenever someone takes over one of our lovely little clubs, the first rule of new management:
No More Punk!
So one more time, we thought, we’d give it a go.
We made a few calls and got together a crazy lineup to kick off the Holiday Season, and once again made it a benefit in honor of those great nights before:
So come out, won’t ya?
We’ll toast the shack one more time, and play one more song with barely tuned guitars as the beer drips from the ceiling: Tears from the very building itself.
But apparently the building and neon sign have been declared a historical landmark, at least, so that’s something.
We’ll still be able to see it as we drive past on our way to a gig at some corporate club in a theme park.
And on a night we’ll soon be buying fourteen dollar cocktails and trying to see the band around shoulders and shitty sightlines, we’ll look up at that buzzing neon and remember a place of another time.