Evacuated: Summerbash 2026

Let’s pour water on it. Yeah, that’ll fix it!

I make a U turn at the flashing red light, a police cruiser parked across lanes next to a city utility truck.
No big, probably cleaning up the detritus of a recent crash.
Or perhaps a light pole has toppled, looted of its coppery skeleton by our enterprising neighborhood tweakers.

I detour through a neighboring industrial park, but Western Ave is once again blocked by cop cars and firetrucks.
The next street over blocked as well, and here the first responders are joined by the blue KTLA 5 news van.
A bad omen.

As any So Cal native knows, the appearance of the news van is rarely on the scene of good news, no.
More likely, the ocean has once again breached the seawall, or a body has been found decomposing in the trunk of a Honda Civic.

A young cop comes over, already shaking his head, and twirls his fingers at me: universal sign for roll down the window.
“Can’t go this way sir,” he says. “Mandatory evacuation orders.”
But we need to get our gear,” I respond. “Playing a show today, and we need to get our gear…. Sir.”
We exchange a few more sentences, each ending with a passive aggressive sir, his mocking my graying head no doubt, mine aimed at the Oakley shades perched upon his crew cut.
It is not a satisfying exchange for either of us.

We are ultimately turned back, mere meters from our studio containing our amplifiers and drums- but more importantly, the goddamned merch!
Now, I am enough of a conspiracy theorist to detect a government ruse with all this toxic chemical spill nonsense, obviously code for alien landing site.
But it seems that the precaution is true.
A tank filled with naughty chemicals is threatening to explode or spill or mutate into a nasty creature, all of this a few blocks from CH3 headquarters.
And so we head to the show with only guitars, the chance to shill our overpriced black tee shirts denied.

No matter.
It is Sunday of the two day Summerbash, the inaugural festival put on by our nutty old pal Bill–the aptly nicknamed Dr. Strange!
With Punk Rock Bowling taking a year off, Bill bravely took on the long holiday weekend festival mantle and presented his own spunky punky little gathering at the Cathedral complex in Pomona.


It is lovely venue, apparently a historical old YMCA site, converted now into a mixed used complex with cafes and different performance areas. Whispered rumors of a swimming pool in the basement, gun turrets upon the roof.
Wandering the maze of halls, it reminds me of a mini Wintergardens, the site of our beloved Rebellionfest up in wacky tacky Blackpool.
If there were drunken hens falling off their platform heels and puking into the cobblestones, the scene would be complete!

Hanging with a Bomber and a Doc

There was no need to worry about the lack of gear, as it seems we know every musician on the bill.
Friendly faces at every turn, most of them aging gracefully.
Our crowns of gray and laugh lines honestly earned, surely the reward of meeting up once again, after all this time.


For it is what became clear when the annual PR bowling fest was not scheduled for the year: We need these gatherings.
An annual gathering of the tribe.
The chance to check in with the people we have held dear through all these years, the mad teens still visible just beyond the cataract clouded lenses of our eyes.
Proof of Life.

It is a non stop catch up session, each new arrival greeted with shouts and hugs, the chance to re-acquaint ourselves with bands and fans, each with a story of triumph and regret.
Where once we would hustle each other for drink tickets or glassine baggies of powders, we now borrow Tums and show off photos of the newest granddaughter.
Ancient petty squabbles are forgiven if not forgotten, nights of terrifying violence and danger now retold as hilarious anecdote.

And the bands, they still play.


On the way out I hug Bill in farewell.
Hey, let’s not fuck this one up, yeh? I whisper into his ear.

Because we can’t lose another chance to get together like this.
And be it the trashy charm of Vegas or the gentrified halls of Pomona, no matter.  
Just as long there is somewhere to convene, fittingly on Memorial Day, to celebrate the survivors and mourn those lost.
To remind ourselves of something fucking good for once in this mad mad world.
Where’s that fucking blue news van now, huh??

We soon find out, as we look down Beach Boulevard as we drive past the shuttered off ramp..
Old Highway 39, named in album and legend, is deserted.
No sign of the tarped taco stands, no tweakers riding Bmx bikes on their dizzying errands.
No cheerful hookers, hawking their wares from the shadows of the seedy motels.
The city evacuated to the sum of forty thousand people now, and I am grateful that I have a home.
I was just there 

Our last gig: Cruzapalooza fest Santa Cruz

I’m perched upon a road case, blonde telecaster laid across my lap, squinting down at the tuning posts.
Forgot my readers once again, so I fumble at the impossibly tiny holes as I try to change strings backstage.
I finally surrender. Helpless as an ancient granny, hoping someone with younger eyes will happen along to thread my darning needle.

But I don’t mind.
I’m enjoying sitting here in the caged backstage of the Catalyst Club, taking it all in.
It’s a day long fest that features not only veteran punk acts but pro wrestling between sets.
The punkers and wrestlers are mixed in together, chatting easily, fashionably ragged outfits blending seamlessly.
I have to look twice to discern if the hooded and codpieced chap is a featured player of the squared circle or a member of the reformed Mentors holding court next to the cooler.

As I wait for someone with +2.50 specs to happen along, I sit and listen to the wrestlers prepping for their matches, the aging punkers stretching alongside, everyone wrapping a chronic knee or elbow in preparation for the day’s events.
In one corner there’s FEAR legend Spit Stix, going through a tai chi-like series of wrist flexors, drumsticks in hand.


The FUBAR tag team huddle nearby, guiding each other through a series of gags.
They move with surprising grace, shuffling back and forth with arms interlocked like a pair of seasoned ballroom dancers.
Their heads close, I hear them softly call out terms like Rocket Launcher and Inverted Powerbomb, surely practiced moves of mayhem, though they could just as well be discussing which entree to split for dinner, so calm and gentle is their whispered conversation.

The CH3 lads with FUBAR tag team

We fall into conversation with the cheerful lads, ask them about their travels and gigs.
They wrestle for a regional entertainment group, but are sent out up the coast, into Canada.
Dayjobs, weekend turn and burns. Maybe a few sideshow matches on the Warped tour.
It sounds so familiar, the long drives in rental minivans, the shitty motels and stomach curling road food.
They perform not in the televised arenas of the AEW, but in fluorescent lit VFW halls and barroom back halls.
And like the dedicated punkers that prefer the sweaty club shows to seeing Green Day at Levi’s Stadium, they punish their bodies for an audience raised on the intimate hall matches just on the edge of chaos.

The barbed wire and folding chairs in easy reach, just as the pepper spray and police baton were always a delicious possibility to end a wild night at the Olympic.

In the corner sits an old gent who seems happy just to be here after the long walk from the parking lot. I look closer into those eyes and recognize a mischievous twinkle, last seen through black hooded eyeholes at the Cathay De Grande—it is Dr. Heathen Scum, the last of the Mentors!

He looks too frail to make it to the stage, the effects of those late night Hollywood hijinks, the cruelty of this planet’s gravity teamed up against him.
But like a battered veteran of the ring, he’s game for the match at hand. There is always another job to do.
They sit him down among his new minions and the band blasts through those filthy anthems we all know and love.

The Mentors!

The Grim finish up their set as the featured women wrestlers come out, playing it up to the hooting crowd.
The gimmick seems to be white trash vs sexy Latina, and it works beautifully: an episode of Dr. Phil with flying crossbodies and belly-to-belly suplexes.
Their match spills out onto the concrete, where a convenient trash can has been placed. One of the gals, I forget if it was Haley or Mayra, launches the can at the other gal’s head.
And she sells it, braids flying, a look of amazement on her face as she slides back toward the ropes, as if they hadn’t rehearsed this move as many times as we’ve played fuckin’ I Got a Gun.

We are called to the stage for a line check as Lard Humungus announces his challenge match, a couple obvious ringers showing up for Lard’s terrific abuse. We are enthalled from the stage, and ignore the soundman’s pleas to check mics and adjust monitors.
Instead, we begin to strum the guitars as the body slaps land, riffing up and down the neck to enhance the action in the ring.


Nick lends a drumroll as the Lard climbs the turnbuckles, I lend a howling pick slide as he launches off, elbows pointed toward death and glory.
We interpret the savage dance with musical accents now, throwing up wah wah wahs to the dodged clothesline, ringing power chords to the two-count kickouts. 
Haven’t had this much fun onstage in years.

FEAR gets on stage now, Lee looking as regal as Ric Flair in the later years, still mustering up a whooo before coutning off I Don;t Care About You with the familiarly beloved 1234 1234!

It’s true, Lee relies on a wee teleprompter now, but who the fuck cares? 
I could goddamned use one myself, I think, as I end up mumbling and scatting through at leat half of the lyrics to these ancient songs written some 42 years ago.

Are we really any different?
Oh, there are grumblings about*ahem* veteran punk acts out there touring, playing a greatest hits set for their graying fans.
Virtually tribute acts to themselves, a traveling jukebox…fake?
Tell the husky lads in the Stoner Bros that what they do is fake, and let’s see how that works out for you.
The miles, these scars, these are real.

As each band files off stage, as each wrestler comes back from the ring in defeat or triumph, we are now all the same.  The adrenaline has been spent, the aggressions and tensions of the day released to the heavens.
I show Kimm the spatters of blood on my pickgurad, the slash on my pinkie that went unnoticed until the three count.
The wrestlers walk off the sprains, the singers hold their knees, catching their breath. 
I see the two women wrestlers chatting easily after their ferocious bout, making plans for lunch later in the week, even though not five minutes earlier one of them landed headfirst in that garbage can, her fishnetted legs kicking madly for the cheering crowd.

As we load out, we all shiver a bit in the foggy coastal chill, pulling hoodies over our soaked stage shirts.
A new ache is already beginnnig to call out from the nether regions of my back, and I wonder if I remembered to pack the Tylenol 500 in my toiletries back in the motel.
The tag team guys bro hug us good night, Spit and Lee wave rarewell from the back of a van’s tinted glass.
I spy two guys helping Heathen out the door, one on either side, Weekend at Bernie’s style.
He is tired but smiling, as we all are, somehow already llooking forward to the next match.